How astonishing it is that language can almost mean, and frightening that it does not quite.

When I was walking in the mountains with the Japanese man and began to hear the water, he said, 'What is the sound of the waterfall?' 'Silence,' he finally told me.

We must have the stubbornness to accept our gladness in the ruthless furnace of this world.

We think the fire eats the wood. We are wrong. The wood reaches out to the flame. The fire licks at what the wood harbors, and the wood gives itself away to that intimacy, the manner in which we and the world meet each new day.

I like ornament at the right time, but I don't want a poem to be made out of decoration ... When I read the poems that matter to me, it stuns me how much the presence of the heart-in all its forms-is endlessly available there. To experience ourselves in an important way just knocks me out. It puzzles me why people have given that up for cleverness. Some of them are ingenious, more ingenious than I am, but so many of them aren't any good at being alive.

You will love again, people say. Give it time. Me with time running out. Day after day of the everyday. What they call real life, made of eighth-inch gauge. Newness strutting around as if it were significant. Irony, neatness and rhyme pretending to be poetry. I want to go back to that time after Michiko's death when I cried every day among the trees. To the real. To the magnitude of pain, of being that much alive.

We exist with a wind whispering inside and our moon flexing. Amid the ducts, inside the basilica of bones.