I was amazed by the fact that I was not the only writer living, not the only young man "with a locomotive in his chest, and that's a fact," not the only youth with a million hungers and not one of them appeasable, not the only one who is lonely among multitudes, and does not know why.

Way far back in the beginning of the world was the whirlwind warning that we could all be blown away like chips and cry- Men with tired eyes realize it now, and wait to deform and decay- with maybe they have the power of love yet in their hearts just the same, I just don't know what that word means anymore- All I want is an ice cream cone

The one thing that we yearn for in our living days, that makes us sigh and groan and undergo sweet nauseas of all kinds, is the remembrance of some lost bliss that was probably experienced in the womb and can only be reproduced (though we hate to admit it) in death. But who wants to die?

A scene should be selected by the writer for haunted-ness-of-mind interest. If you're not haunted by something, as by a dream, a vision, or a memory, which are involuntary, you're not interested or even involved.

The empty blue sky of space says 'All this comes back to me, then goes again, and comes back again, then goes again, and I don't care, it still belongs to me

What is he aching to do? What are we all aching to do? What do we want?” She didn’t know. She yawned. She was sleepy. It was too much. Nobody could tell. Nobody would ever tell. It was all over. She was eighteen and most lovely, and lost.

Soon it got dusk, a grapy dusk, a purple dusk over tangerine groves and long melon fields; the sun the color of pressed grapes, slashed with burgandy red, the fields the color of love and Spanish mysteries.