That's the story of my life rich or poor and mostly poor and truly poor.

Who doesn't feel studious when he doesn't have a girl with a Riviera suntan?

One fast move or I'm gone,' I realize, gone the way of the last three years of drunken hopelessness which is a physical and spiritual and metaphysical hopelessness you can't learn in school no matter how many books on existentialism or pessimisn you read, or how many jugs of vision-producing Ayahuasca drink, or Mescaline take, or Peyote goop up with -

Her little shoulders drove me mad; I hugged her and hugged her. And she loved it. 'I love love,' she said, closing her eyes. I promised her beautiful love. I gloated over her. Our stories were told; we subsided into silence and sweet anticipatory thoughts. It was as simple as that. You could have all your Peaches and Bettys and Marylous and Ritas and Camilles and Inezes in this world; this was my girl and my kind of girlsoul, and I told her that.

Somewhere along the line I knew there'd be girls, visions, everything; somewhere along the line the pearl would be handed to me.

Rather, I think one should write, as nearly as possible, as if he were the first person on earth and was humbly and sincerly putting on paper that which he saw and experienced and loved and lost; what his passing thoughts were and his sorrows and desires.

Contrary to the general belief about photography, you don't need bright sunlight: the best moodiest pictures are taken in the dim light of almost dusk, or of rainy days.