Dean and I both swayed to the rhythm and the IT of our final excited joy in talking and living to the blank traced end of all innumerable riotous angelic particulars that had been lurking in our souls all our lives.

What's in store for me in the direction I don't take?

It's hard to explain and best thing to do is not be false.

Anybody doesn't like these pitchers don't like potry, see? Anybody don't like potry go home see television shots of big hatted cowboys being tolerated by kind horses. Robert Frank, Swiss, unobtrusive, nice, with that little camera that he raises and snaps with one hand he sucked a sad poem right out of America onto film, taking rank among the poets of the world. To Robert Frank I now give this message: You got eyes.

And what does the rain say at night in a small town, what does the rain have to say? Who walks beneath dripping melancholy branches listening to the rain? Who is there in the rain’s million-needled blurring splash, listening to the grave music of the rain at night, September rain, September rain, so dark and soft? Who is there listening to steady level roaring rain all around, brooding and listening and waiting, in the rain-washed, rain-twinkled dark of night?

Suppose we suddenly wake up and see that what we thought to be this and that, ain't this and that at all?

and silence is the golden mountain