I never had stock endings. I didn't believe in stock endings. To make the [reader] happy was not my objective, but to make the [reader] say, "Yeah, that's what would happen" - that was my objective.

The artist is the lowest form of life on the rung of the ladder. The publishers are usually businessmen who deal with businessmen. They deal with promotional people. They deal with financial people. They deal with accountants. They deal with people who work on higher levels. They deal with tax people, but have absolutely no interest in artists, in individual artists, especially very young artists.

My purpose was what my father's purpose was - to make a living and to have a family. I was going to do the right thing. My dream to me was to have money to support it and to live in the kind of house I liked.

I felt the comics grew because they became the common man's literature, the common man's art, the common man's publishing.

Every father was his own man. He did what he wanted. If your mother went shopping, your father never went with her.

You fought fair. If the other guy wants to fight and you knocked him out, you did your best for him. You didn't want to hurt him any more.

If a carpenter makes a chair that's comfortable for the person who's going to sit in it, he's done his job. If a train engineer gets a train in on time, he's going to make someone happy who's waiting at the station. And if an artist draws the kind of a picture that people are going to enjoy looking at, or he makes a visual story which people are going to enjoy reading, he's done his job.