I didn't save my money for a lawyer. I was a very young man, and saved my money for having a good time.

I always resent anybody interfering with anybody else trying to do his job. Everybody has his own job to do. If he's good, he'll do well, but if he's mediocre, he's not going to do as well as he should.

Everybody can draw, in my estimation. If you give a man 50 years, he'll come up with the Mona Lisa.

I won't do anything bad, and I resent very deeply bad people who haven't got the ability, who try to interfere with the kind of work I'm trying to do because nobody's going to benefit from it.

The only real politics I knew was that if a guy liked Hitler, I'd beat the stuffing out of him and that would be it.

My monsters were lovable monsters. I gave them names - some were evil and some were good. They made sales, and that's always been my prime object in comics.

I feel that every professional is the art school for the next guy. I feel that maybe a lot of the dynamism in my own work, having been felt by the rest of the artists, they'll react to it and put elements of that in their own work, feeling that it'll help it.