I like entertainment. I'm an innate admirer of good entertainment. I'll listen to MTV, I'll listen to Mozart, I'll listen to anything that has a good element in it.

I taught myself how to draw, and I soon found out it was what I really wanted to do. I didn't think I was going to create any great masterpieces like Rembrandt or Gauguin. I thought comics was a common form of art, and strictly American in my estimation, because America was the home of the common man - and show me the common man that can't do a comic. So comics is an American form of art that anyone can do with a pencil and paper.

If a carpenter makes a chair that's comfortable for the person who's going to sit in it, he's done his job. If a train engineer gets a train in on time, he's going to make someone happy who's waiting at the station. And if an artist draws the kind of a picture that people are going to enjoy looking at, or he makes a visual story which people are going to enjoy reading, he's done his job.

All life on Earth is subject to the rumbles and rockings of the parent stucture which has no control over the disastrous effects of its stresses and strains on whatever thrives on its surface. The ambitions and dreams of men are irrelevant to this planetary giant which pursues its own way in its own manner. Man is its child, tenant and still, to this date, its captive.

I couldn't draw anything that was too outlandish or too horrible. I never did that. What I did draw was something intriguing. There was something about this monster that you could live with. If you saw him you wouldn't faint dead away.

I'm a guy who had to perform some way. I had to perform in some way. If not as an actor, I'd perform as an artist. It would have been something that would be outstanding in its own way.

It's not in the draftsmanship, it's in the man. Like I say, a tool is dead. A brush is a dead object. It's in the man. If you want to do it, you do it.