I've done things that I wouldn't ordinarily seem capable of doing. And I've proven myself in situations where there's life and death at stake. And so, I can live with myself knowing that it's not a matter of guts or anything like that. It's a matter of willingness to go the length, to transcend yourself.

I've never done anything bad. I can't do anything bad. It's got to be professional. It's got to look professional. It's got to read professional. In other words, it serves its purpose by entertaining a reader.

Mort Meskin was a consummate professional, dedicated to his work. A great talent.

I feel that every professional is the art school for the next guy. I feel that maybe a lot of the dynamism in my own work, having been felt by the rest of the artists, they'll react to it and put elements of that in their own work, feeling that it'll help it.

If you're drawing a Western town, you can duplicate that Western town from instinct alone. Some artists may take it from other illustrations or duplicate what you've drawn, but it will never have that gut reality that's instinctive in the artist.

I had very high respect for the Pratt Institute, but I thought that I had done my best, and that was not their version of the best.

The people who worked in comics were terrific guys. I had a good association with them, and I enjoyed comics for that very reason.