Walter Matthau made all the big money and he was wonderful as Oscar Madison on the stage. You couldn't beat him. I know because I replaced him on Broadway. He was just delightful.

A world without Tony Randall is a world that I cannot recognize.

Now I have the voice of a 16-year-old. I'm looking for a doctor who could give me the body of a 16-year-old.

Walter Matthau made all the big money and he was wonderful as Oscar Madison on the stage. You couldn't beat him. I know because I replaced him on Broadway. He was just delightful.

I was at the pinnacle of my career one day and the next day I was put out to pasture. I felt like a race horse with a broken leg.

I know know why ... if something not broke, don't fix it. Twelve Angry Men was the perfect movie. The cast was just the best cast you could possibly get together. The director was Sidney Lumet, the best director around. So why they made the remake I don't know.

The only tool we have as artists is selectivity. If you're a painter, you select the color, the lines, how severe they should be. As an actor you develop how angry you should be. You select how angry you should be. You listen to the other actor and then you react. In film, sometimes the other actor isn't even there. You have to play the scene. What I do is I call on my experience on the stage. I play the scene and I hope that I reach a certain level of integrity because that's what I learned on the stage.