I love the theater. I love the rehearsals. That's where you build a performance. That's your foundation. If you're gonna build a house, you start with the foundation. That makes the house strong. That's the way I build a character, from the foundation out.

There was no sacrifice in acting for me, even when I was starving in New York. I went three days without eating. Charlie Bronson and I sold blood for $5 so that we could eat.

Acting became my best friend. When I auditioned to get into college, the teacher said you belong here, Mr. Klugman, and to hear that word belong - I never belonged anywhere before - and suddenly I belonged in acting and it was so comfortable and I loved it.

Now I have the voice of a 16-year-old. I'm looking for a doctor who could give me the body of a 16-year-old.

The only tool we have as artists is selectivity. If you're a painter, you select the color, the lines, how severe they should be. As an actor you develop how angry you should be. You select how angry you should be. You listen to the other actor and then you react. In film, sometimes the other actor isn't even there. You have to play the scene. What I do is I call on my experience on the stage. I play the scene and I hope that I reach a certain level of integrity because that's what I learned on the stage.

I always loved to gamble. I never got close to a horse. Fate dealt me a terrible blow when it gave me a good horse the first time out. I thought how easy this is. Now I love being around them.

Time is very important to art and if you don't have the time to select, art goes out the window.