I was carrying a beautiful alcoholic conflagration around with me. The thing fed on its own heat and flamed the fiercer. There was no time, in all my waking time, that I didn't want a drink. I began to anticipate the completion of my daily thousand words by taking a drink when only five hundred words were written. It was not long until I prefaced the beginning of the thousand words with a drink.

Love is the sum of all the arts, as it is the reason for their existence.

I write for no other purpose than to add to the beauty that now belongs to me. I write a book for no other reason than to add three or four hundred acres to my magnificent estate.

The great task demanded of man is reproduction. He is urged by passion to perform this task. Passion, working through the imagination, produces love. Passion is the impelling factor, imagination the disturbing factor; and the disturbance of passion by imagination produces love.

As one grows weaker one is less susceptible to suffering. There is less hurt because there is less to hurt.

Bog-lights, vapors of mysticism, psychic overtones, soul orgies, wailings among the shadows, weird gnosticisms, veils and tissues of words, gibbering subjectivisms, gropings and maunderings, ontological fantasies ... this is the stuff, the phantasms of hope, that fills your book shelves. Look at them, all the sad wraiths of sad mad men and passionate rebels — your Schopenhauers, your Strindbergs, your Tolstois and Nietzsches. Come. Your glass is empty. Fill and forget.

I early learned that there were two natures in me. This caused me a great deal of trouble, till I worked out a philosophy of life and struck a compromise between the flesh and the spirit. Too great an ascendancy of either was to be abnormal, and since normality is almost a fetish of mine, I finally succeeded in balancing both natures. Ordinarily they are at equilibrium; yet as frequently as one is permitted to run rampant, so is the other. I have small regard for an utter brute or for an utter saint.