Before I moved into the mainstream of American movies, I wrote a script as an experiment. I wanted to get very far away from the clichés about the three-act play - structure, development.

Being pigeonholed is the death of all actors.

I don't believe that relationships are fixed things. People are necessarily complex and confused beings. We don't always do the right thing, say the right, and behave the same way or the way we always want to behave.

When I come up against a director who has a concept that I don't agree with, or maybe I just haven't thought of it or whatever, I'd be more prone to go with them than my own because I want to be out of control as an actor, I want them to have the control, otherwise it's going to become predictably my work, and that's not fun.

There has long been a bemoaning of the lack of opportunity to make films that are anything but explosions or the ladling on the pea soup or whatever you want to call it. You can hardly make a movie today where somebody isn't a murderer or a rapist or, if it's a "Fried Green Tomatoes" that isn't some wistful thing on this, that or the other thing.

I resist all established beliefs. My religion basically is to be immediate, to live in the now. It's an old cliche, I know, but it's mine. I envy people of faith. I'm incapable of believing in anything supernatural. So far, at least. Not that I wouldn't like to. I mean, I want to believe. I do pray. I pray to something ... up there. I have a God sense. It's not religious so much as superstitious. It's part of being human, I guess ... Do unto others: How much deeper into religion do we really need to go?

How would I like to be seen? Very endearing, charming, intelligent, handsome.