In a political struggle, never get personal - else the dagger digs too deep.

Film-makers must decide what story to tell and how to tell it.

The public's nerves are raw and edgy. You have to be discreet and understanding about the films you are showing.

A public domain work is an orphan. No one is responsible for its life. But everyone exploits its use, until that time certain when it becomes soiled and haggard, barren of its previous virtues. How does the consumer benefit from the steady decline of a film's quality?

The VCR is to the American film producer, as the Boston Strangler is to the woman home alone.

If You Cannot Protect What You Own, You Don’t Own Anything!

I found the most convincing part to be the working stiffs, the guys who have a modest home and kids who go to public schools. They make $75,000 to $100,000 a year. That's not much to live on. I don't have to tell you that.