Some people consider the way Shakespeare was writing about Ophelia as erotomania-that she was delusional in thinking that Hamlet was in love with her. But I don't think so.

I think the most important thing is to start with something that fits perfectly. Don't worry about having it in five colors.

I hate irony, particularly when it is used because there isn't any message or to hide that someone hasn't any story to tell. Just like when someone only spews out a stack of cool words which don't mean anything and then has the gall to call it art. I always want to create a bridge between us and the listener, and I want it to be so that kids want to create for themselves a story or a context of the words.

When you know your work sells, then seeking a gallery or outdoor show is fine. Then, if an event or art gallery kicks sand in your face don't give up, keep moving forward. Use your brain and eliminate a lot of your personal agony. There are times when you should not take NO for an answer. But there are others when you should never put yourself in the place to be rejected to begin with. Seek the wisdom to know the difference and then go for it. Persevere in the face of disappointment.

I always stayed away from the studio environment as much as possible. But I just wanted to see if I could work in one. It's not easy. Just having an engineer's assistant around is enough for me to be uncomfortable. With more than one person there in the room, it feels strange.

Your attitude is more important than the events happening around you. Artists develop a syndrome taught in art schools. It is a malady titled, 'Artistic Temperament'... rudeness, excuses, slovenliness, laziness, clutter, addictions, non-commercial attitudes, un-professionalism... and a good reason for failure.

I just think old old movies, they make you concentrate and pay attention so much more. They feel so warm. A lot of modern digital videotape, it's just too bright. Don't know why, it's not warm.