I didn't really even think of recording under my own name for a long time. I thought, 'I've got the rest of my life to do that.'

I hate irony, particularly when it is used because there isn't any message or to hide that someone hasn't any story to tell. Just like when someone only spews out a stack of cool words which don't mean anything and then has the gall to call it art. I always want to create a bridge between us and the listener, and I want it to be so that kids want to create for themselves a story or a context of the words.

I want to be part of the resurgence of things that are tangible, beautiful and soulful, rather than just give in to the digital age. But when I talk to people about this they just say, 'Yeah, I know what you mean,' and stare at their mobiles.

It's hard for me to play seated theaters because people tend to sit down and get a little bit complacent, so it's less energy. It's just very dry and dead. People start to feel like they're watching a movie. The environment when they walk into it, it's not standing room only, smoking and drinking and rock 'n' roll. So it's a little bit dangerous to do that.

I gave myself over to music and art a long time ago, so I don't get to relax and I don't get to sit still. The best I can do is constantly create my own environment so it benefits what I need to accomplish in the next step.

Technique plays a part - you have to know how to play.

Onstage, I don't feel any glory from people clapping in the audience, but when they're pushing me to do something new that feels good.