To be embraced by Hollywood when I'd been acting professionally for almost 50 years seemed unbelievable. I've been so welcomed in such a warm, generous way - it seemed crazy not to take advantage of it. I hope for another 20 years where I can still keep going.

David Michôd changed my life, quite literally, along with the chaps at Sony Pictures Classics. That's what set me on my way. I thought we did good work and had a good film, but when it was so praised at Sundance that year that's what really started the ball rolling. We all paid our own way to Sundance.

I think we're all capable of bad things but luckily most of us are able to curb ourselves.

I do a lot of American plays. I've done a lot of Arthur Miller, Tennessee Williams and Neil Simon. I was in 'Sisters Rosensweig,' 'Six Degrees of Separation,' all of that stuff. So we're very familiar with America. I did 400 performances of 'Born Yesterday.' I did 700 performances of 'They're Playing Our Song.'

I've always said about awards that they're meaningless until you win one, and then they're best thing in the world. The other thing about awards is that they engender respect from areas where it might never have come from without it.

I've had lots of good career advice over the years. I've learned that you must always arrive knowing your lines, you must hit your marks, you must be punctual and cheerful and kind. I'm always irritated with young people who misbehave and young actors who are temperamental. I don't think there's any need for it.

You learn stuff from every character you play about the human condition that can be quite enlightening.