Well, let's say Asian. Some are Japanese. Some are Chinese. Some are Thai. Some are Vietnamese. He runs the gamut. And I actually happen to have a very dear daughter-in-law who's Japanese. I don't know what she's going to make of the film, but I say a few disparaging things.

It's fascinating. It's also exhilarating when you see people making the exact same choices that you've made. It kind of validates what you've decided to do. I saw a wonderful production of Jessica Lange doing Streetcar with Alec Baldwin. It was gorgeous. It's a measure of what a great classic that is, that our Cate Blanchett also did an absolute amazing Blanche in Sydney, as well as in New York.

Emily and I have some funny scenes where we quarrel and it gets quite heated, the mother-daughter relationship. You know, film mothers and daughters adore each other. And some don't. But how could you not love Emily Blunt? But I think I'm just one of those people who's always discontented.

The eyes are the windows of your soul, and when you're acting, they're one of your most important instruments. Especially for close-ups!

Being a theater actor, I've done a lot of plays where I've seen someone else play the same role in another production. Especially with the classics: Shakespeare, Tennessee Williams.

When you get as old as I am, you kind of believe there's nothing new under the sun, but there's always a fresh way of looking at something. That's why I love working with young people. They remind you of things you used to know and have since forgotten.

Sexism is alive and well! We were saying this forty years ago. I'm an optimist, so I like to think we've progressed in some ways - in Australia, we get equal pay.