Well, let's say Asian. Some are Japanese. Some are Chinese. Some are Thai. Some are Vietnamese. He runs the gamut. And I actually happen to have a very dear daughter-in-law who's Japanese. I don't know what she's going to make of the film, but I say a few disparaging things.

I don't think they're more temperamental people now. With social media we hear a lot more about it. The nastiness you get online, there were always mean girls - always - they didn't have such a big forum as they do now. Mean girls ought to get a life, I think.

David Michôd changed my life, quite literally, along with the chaps at Sony Pictures Classics. That's what set me on my way. I thought we did good work and had a good film, but when it was so praised at Sundance that year that's what really started the ball rolling. We all paid our own way to Sundance.

When you get as old as I am, you kind of believe there's nothing new under the sun, but there's always a fresh way of looking at something. That's why I love working with young people. They remind you of things you used to know and have since forgotten.

I think we're all capable of bad things but luckily most of us are able to curb ourselves.

Everything the Coen brothers do is brilliant.

It's a very generous culture, American culture. I know you can't generalize 300 million people, but everyone I've met here has been so lovely to me.