I want to play a fireman and a spy. I want to learn special effects.

It is totally different making films in the East than in the West. In the East, I make my own Jackie Chan films, and it's like my family. Sometimes I pick up the camera because I choreograph all the fighting scenes, even when I'm not fighting. I don't have my own chair. I just sit on the set with everybody.

When I was a young stunt guy the director would say: "You're useless..." But I wanted to be the best, I wanted to be a super stunt guy. That's how I built myself, because of martial arts and everything.

We learn martial arts as helping weakness. You never fight for people to get hurt. You're always helping people.

I hate violence, yes I do. It's kind of a dilemma, huh?.

American stuntmen are smart - they think about safety. When they do a jump in a car, they calculate everything: the speed, the distance... But in Hong Kong, we don't know how to count. Everything we do is a guess. If you've got the guts, you do it. All of my stuntmen have gotten hurt.

Pain is my daily routine. As long as I don't go to the hospital, it's nothing for me.