I'm very pessimistic about that, no matter how hard we may try. The Chinese market is huge, but out of last year's $2 billion box office, $1.8 billion was taken in by foreign movies, and just $200 million by our own movies, no matter how much we have learned of their techniques, or their good practices. The Hollywood movies imported into China are all good movies; does the U.S. make lousy movies? Yes, too many lousy movies, but the imports are good films, so how can they not be box office hits? They're all hits.

Back in the Bruce Lee era, and in my era, Kung-Fu stirred up a kind of frenzy, and many people were learning martial arts from us. But about a decade ago, Hollywood began bringing in a number of our action choreographers, including two from my own stunt crew, where they became martial arts directors. Now, a decade later, Hollywood has learned it all, so when you look at the action films they're making now, they all use our action, our martial arts, and then add to that their own technology which is ten times better than ours, and it has to leave us dumbfounded: how did they film that?

I am the Olympic Ambassador. I always promote Olympics. I just want to say, Olympics is Olympics. [You] cannot mix with politics. Olympics for me is love, peace, [being] united.

I really like to be by myself and if I do go out to look around, I dress in jeans. My secretary is constantly telling me to dress up, shave and look your best because people know you. That bothers me. I just want to be natural.

One thing I did pick up from Cannonball Run was the use of bloopers and outtakes under the final credits, which I've done in all my movies since.

Bruce Lee brought the martial arts movie to the attention of the world - and without him, I don't think that anyone would have ever heard of Jackie Chan.

Sometimes, I'm very embarrassed.