The act of imagination is the opening of the system so that it shows new connections. Every act of act of imagination is the discovery of likenesses between two things which were thought unlike. An example is Newton’s thinking of the likeness between the thrown apple and moon sailing majestically in the sky. Hence, the ‘discovery’ of the laws of gravity.

Dream or nightmare, we have to live our experience as it is, and we have to live it awake. We live in a world which is penetrated through and through by science and which is both whole and real. We cannot turn it into a game simple by taking sides.

The most powerful drive in the ascent of man is his pleasure in his own skill. He loves to do what he does well and, having done it well, he loves to do it better. You see it in his science. You see it in the magnificence with which he carves and builds, the loving care, the gaiety, the effrontery. The monuments are supposed to commemorate kings and religions, heroes, dogmas, but in the end the man they commemorate is the builder.

A popular cliche in philosophy says that science is pure analysis or reductionism, like taking the rainbow to pieces; and art is pure synthesis, putting the rainbow together. This is not so. All imagination begins by analyzing nature.

It's a sort of curious phenomenon that God is somehow not quite as nice as the devil; the devil doesn't punish you for behaving well, but God punishes you for behaving badly.

In the moment of appreciation we live again the moment when the creator saw and held the hidden likeness.

Sex was invented as a biological instrument by (say) the green algae. But as an instrument in the ascent of man which is basic to his cultural evolution, it was invented by man himself.