While I've lived in cities for most of my adult life, I really prefer the quiet, boring, mundanity of the country. It's the best place for me to work, think, and invent.

For me probably the best moment is before I get started in the morning. I get up and I ride my bike before I come into the studio, so there's a lot of peace and quiet right before the day starts and my assistants get here.

You can tell when women have a sensibility about, or a sense of bravery or a sense of understanding about their personal style that's outside of what you see from a magazine.

The biggest problem that I see that young artists have is they aren't willing to fail. And unless you fail a lot, I think it's difficult to find a voice that shouts above the crowds.

I like that there's very little mystery in how the artwork is actually made. It's the labor and the focus and the precision that drives it to the next level.

I think that I the biggest thing that I need is more creative time. More time to make mistakes.

You always want to see people who are just like a little outside of the box. Maybe making mistakes sometimes. Not taking something that's straight off the runway, but mixing and matching things. Old and new.