I went to the premiere of The Detective with Sinatra, and perhaps people jumped to conclusions. He was very protective towards me and never came on to me sexually.

I wanted to go to acting school, and I did a few modeling jobs to pay for acting school. I never aspired to be a model. I met lots of photographers, and I learned a lot about light - as a source of love and illumination, light as a gift of love. On film, that's a massive contribution.

I work hard, and I tend to play hard. I very seldom rest hard.

When you share work, and you have the opportunity of seeing people you like doing what they do best, and you also interchange socially with them, it's very addictive.

I could never have conceived that I would ever get to work in a Truffaut film. It was astonishing to me, and still is. I felt like an old pro, but it was still so unexpected.

I have very intense conversations with friends, people I really interconnect with. We talk about politics, important things. I like to talk about ideas and get people to be specific.

I was never any good in the school theatrical productions. I always got a role like the March Hare.