Sometimes it seems as though not a moment has moved, but then you look up and you're already old or you already have a household of kids or you look down and see your feet are miles and miles away from the rest of you—and you realize you've grown up.

Don't trust women, my mother said to me. Even the ugly ones will take what you thought was yours.

I've learned about marrying poetry and prose and making both accessible.

I think boys don't always like to read books with female protagonist - I don't even know what to say about this.

Even with all of its changing, Brooklyn's architecture still feels like home, the language feels like home. It's changing so quickly that it's surprising. It's surprising still, when someone looks kind of askance to see me walking towards them.

Lately, I'd been feeling like I was standing outside watching everything and everybody. Wishing I could take the part of me that was over there and the part of me that was over here and push them together—make myself into one whole person like everybody else.

I think that happens for a lot of people, they have this idea that there's only one type of way to write poetry and that you have to have this information. You have to know about meter, you have to know about form, you have to know about iambic pentameter, and all of that.