I feel like so much of what I'm doing is making a road where there is no road and inviting people on that road with me. It's scary. It's scary, but I can't listen to the voices that are saying form is the only way, or that there is only this kind of form or that kind of form.

A lot of times, when people send me books to read - new writers mostly - I find that the book is still in a draft stage and that before it can leave the writer's hands and head to a publisher, it needs about five more revisions. Some people don't want to do that.

I've learned about marrying poetry and prose and making both accessible.

For me as a writer, it was understanding that we're so far behind in our way of dealing with death. We put someone in the ground, we bury them or we burn them, and then we're supposed to just move on and kind of get over it.

One place exists as their interpretation of it. For the people living and thriving inside of it, it's another place.

I think that happens for a lot of people, they have this idea that there's only one type of way to write poetry and that you have to have this information. You have to know about meter, you have to know about form, you have to know about iambic pentameter, and all of that.

I think it's important to remember that writing is a gift and our stories are gifts to ourselves and to the world and sometimes giving isn't always the easiest thing to do but it comes back.