The evil eye is the fascinum, it is that which has the effect of arresting movement and, literally, of killing life. At the moment the subject stops, suspending his gesture, he is mortified. This anti-life, anti-movement function of the terminal point is the fascinum, and it is precisely one of the dimensions in which the power of the gaze is exercised directly.
Jacques LacanThe narration, in fact, doubles the drama with a commentary without which no mise en scene would be possible.
Jacques LacanWe emphasize that such a form of communication is not absent in man, however evanescent a naturally given object may be for him, split as it is in its submission to symbols.
Jacques Lacan