I started coming to L.A. as often as I could, for three months on and three months off, because immigration kicks you out after 90 days.

The news business is simple but it's not easy to do well. You know the story, you have to cover it, you need pictures, you need good writers, you have to get it to the screen but it's obviously not easy to do well.

There are roles out there I want to play that I don't know if I'll ever get the chance to. But I'm not going to waste time waiting for those phone calls, passing up the chance to do these sorts of things. I'm more likely to go see a smaller, darker indie film, like Felony for instance, than I am to see an Avengers or perhaps even a Terminator.

I'm not someone who has a lengthy attention span, and that applies to my exercise routine as well.

I was a show-off as a kid and loved to dress up. I was constantly in costume, drawing mustaches on with eyeliner and letting my sister plait my hair and all that.

And as you got older, the training became more developed and precise. We did plays, we had voice classes with great dialect coaches. But I was never into it on a school level; it was this kind of private little thing I did. At school I was a rugby guy. At school I was a rugby guy. I was causing trouble with my mates and skating and tagging buildings, and smoking bongs.

When you're working with people you've seen in hundreds of films... it's a bit crazy to step outside yourself for a minute and think, 'This is surreal.' But I try not to get too bogged down in that.