When I started acting, I had a really strong discipline of knowing that you had to be on time, knowing that you had to work 12 to 16 hours a day, knowing you had to be prepared, knowing you had to be ready, and it's very interesting because if you're an artist and you're creating, you can work very, very long hours but as you're putting out that love of creation, it's almost like you're charged by it, you're charged by the process of it.

It was difficult for me to understand that, when you're kind to someone in a big city, a lot of the time, they think that you want something. I didn't understand that, all of a sudden, niceness meant that you were trying to get something out of somebody.

The one glaring issue I have with the modeling industry and the fashion industry is that there is no union for young women and when I went into acting, the way young kids are protected, there must be a mandatory union or regulation, it just has to be done.

I really try and work very closely with the designers to be as consistent as possible to their vision and for their look because I know how intricate and how much time it takes for them to make it. My mother was a seamstress and I really honor the art of each piece that's made and so for me it's all about that.

If you want to wear nude, go with suede or a beautiful leather, please, if I see one more nude patent stiletto on the carpet I feel like I'm going to kill somebody.

I've always been really athletic, which really helped, because when I first started doing the training for Bulletproof Monk, it required so much strength that if I didn't have a base I don't really know what I would have done.

If we all just took a moment to be a little more thankful and kind to people, or smile at people, it could really change someone's day.