For those that don't know much about 'American Idiot' or Green Day, just know that it's my generation's The Who's 'Tommy' or Pink Floyd's 'The Wall.' It was an album that really spoke to a generation. The theatrical show encapsulates that feeling and brings it to an even wider audience.

I'm at the National Theatre School, which is like the Juilliard of Canada.

'Will You Still Love Me Tomorrow,' if you go through the lyrics, is such a haunting melody, and the words are, for a pop song, pretty deep and dark.

I love singing, but I feel very naked and very vulnerable when I'm singing sometimes. With acting, I always think that it doesn't matter what you are as long as you're truthful in that moment. But with singing, you always have to hit the note. It's not like you can just go, 'Oh, it doesn't really matter what note you sing!'

What's cool about Spider-Man is that it's everybody - anyone, you put on the suit, anyone believes that you're Spider-Man. That's what's charming about the character. He's anyone. He's a huge nerd that ends up being this huge superhero.

I am definitely someone who needs to take a second by myself and stretch and breathe before a show.

I wanted to be a soccer player. And then I wanted to be a rabbi.