In work, never have any regrets and always leave everything on the field.

Ang Lee just allowed me to make what we would call mistakes and had no judgment of them. He also empowered me. You know, he's like, "You're my actor. I chose you. Whatever you do is right." Right? "I made the decision, I'm complicit in choosing you. And I went through everything I could to choose you, so I feel good and whatever you're going to do I'm going to give you this space." And so it was very empowering.

As an actor, no matter what, you're at the whim of so many other people all the time.

I think I'm generally - fear, fear is very still, so in terms of that kind of fear - there's so many different kinds of fear, but fear is something, particularly in movies, that's interesting, because it's created by the film maker, that was created by David Fincher, that's why he's brilliant.

Theater has given me a different perspective on the way I approach films.

I don't think I had any idea at the time how to work with someone as masterful as he is. And I don't think at the time I really understood what was happening. I think I was in a space where I was like: there are all these things. I was shooting all these takes with David, and I was just confused, as a person, and as an actor feeling a little too big for my britches and that this thing was happening and then also not having enough skill yet, and technique to know exactly where I was, and know about the character.

I'm at a period in my life when I'm figuring out my idea of who I am and what I want and how to hold onto love -- all that big stuff. And I'm starting to realize that it can happen at any age. I know people who are in their 50s who are figuring out what they want and who they are, and I think it's great. It's like you're always approaching life as a beginner.