Ang [Lee] gave us a lot of books about cowboys who had been gay or stories about it and all that stuff. And I just talked to a lot of my friends - who [was] their first, particularly same-sex, first situation. That was fascinating to me - trying to learn what that was in a certain period of time. Certain age. The secrecy involved in it. All those things.

We all develop relationships with each other based on our first relationships, and then how we experience them. But inevitably they are echoes of earlier on. In my belief.

I always find you go back to an animal; it will always show you the sort of primal aspects of behavior. You always know how to respond if you choose that.

I think it's more, at least at the time, a sense of abstraction. My mind doesn't really work in a way where there's a definitive sense of something. I go one way and then it opens up into a million different ideas, and somehow, when you look at the art, Buddhist art, or particularly Tibetan art, you know, it's a similar thing. All of a sudden there are a million lotus leaves and you're following one to the next and to another, and I related to that, and it felt simple and easy to me. And it made me feel smart.

There are standards. I like to be prepared, I guess I should say - that type of pressure of, "All right, now you go with abandon," you know. Now when you're in it, you let go of all the things - that's what happens when you're onstage.

I have a profound respect for cinematographers. That is my secret sauce. Like they are everything to me.

Sometimes love is calm and easy and sometimes it's just plain dirty.