What made me most courageous was that I realized I had to try to let go of that stereotype I had in my mind, that bit of homophobia, and try for a second to be vulnerable and sensitive. It was f**kin' hard, man. I succeeded only for milliseconds.

My mum raised us on classic movies and a lot of musical theatre.

Sometimes what I actually love to do is go to a farm and get fresh milk or watch a pig get slaughtered.

I think that I have done work where I feel like I've challenged myself, and then what's even more confusing is I've done work where I think I've challenged myself and no one's responded to it, and no one's interested in it.

Not to say that you should be constantly trying to change the world, but I think it's important to know that whatever we do has an implication and has an effect, and because of that it is political.

You have formal rehearsal, a lot of things you don't have in movies - which is, you have to formally rehearse. You have to know your back story, discuss it, and almost everybody onstage has to know each other's [story], so that when it comes time to actually do it, you can throw it all away. That's the way I like to - and I didn't realize until very recently - that's the way I like to prepare for movies.

I was working with Michael Shannon and I was like, "Oh man I'm having trouble with this scene." And he's like, "Well, then just open it up." I was like, "But, the mark?" And I was like, what's wrong with me? And he was like, "Dude, what's wrong with you?"