When I was younger, I did work with coach. I went to this place called Actors Space in the Valley. I was pretty young, and we were doing acting and improvisation. But no, no I didn't go to RADA, I didn't do that. But I do now work with an acting coach, primarily for the initial intellectual connection to the material.

My parents taught me as a kid: do your work. Do it well. Try as hard as you can, whatever it is. It will one day, for the long run, it will make some sort of change somewhere.

We all develop relationships with each other based on our first relationships, and then how we experience them. But inevitably they are echoes of earlier on. In my belief.

'Brokeback Mountain' takes all your conceptions of America, and the Western, and cowboys, and sexuality, and love, and it stirs them all up.

Ang [Lee] gave us a lot of books about cowboys who had been gay or stories about it and all that stuff. And I just talked to a lot of my friends - who [was] their first, particularly same-sex, first situation. That was fascinating to me - trying to learn what that was in a certain period of time. Certain age. The secrecy involved in it. All those things.

When I was 19, I thought [Brokeback Mountain] was going to be the best movie ever made. And everyone was going to see it and it was just going to be incredible. And then nobody saw it and it didn't get bought at Sundance. And it was a really great experience. Humbling. And then it's since found its way.

A Separation is another film that I think is extraordinary, and one of those things that feels like it's from another planet, much like Terrence Malick's movies did: at a certain point, you feel like he's an alien from another planet telling us and looking at us and showing us how we are. I also really, really love Jerry McGuire.