The craziest thing about TV directing is I turned in a version, and then they made their final changes - so I don't know what they are. So I'm like, "Ooo, I'm dying to see the final print."

I had a lot of bad jobs but the one big internship I had is I interned for 'SNL' when I was 21 years old and that was the joke. You intern there and you think man, I'm going to be with the writers and the great comedians. Then you're getting everybody sandwiches and then the doors close and then all the great creatives are doing the work.

Some actors pride themselves on disappearing into a role. I'm into the game because I like experiencing and exploring themes, so I put a lot of myself into the person.

I don't have an interest in being a director-for-hire on sitcoms - but if it's a really cool show that I thought I could bring something to, I would love to do that.

If I'm in a bar and I gotta be sitting next to some clown who's like, "It's my tune," I don't want to hear you belt out Bruce Springsteen. That's why we have jukeboxes! Let's let Bruce be Bruce.

I always thought, if you're gonna do TV, you want to play a straight, solid, pillar-of-the-show kind of guy.

I did about 10-12 national commercials and then got one line parts in things like 'Curb Your Enthusiasm' and the show 'The Unit.' Got a little part in the movie 'Redbelt' by David Mamet and kept slowly grinding up and then started getting bigger parts in independents and getting noticed by Liz Meriwether.