But there's got to be an opening somewhere here in front of me. Through this maze of ugliness and greed.

Folk music is not for a select group of people who feel that maybe he taught them about this music and that it belongs to them. It doesn't belong only to them. It belongs to everyone who's interested in the blueprints of good songwriting.

I don't want to sing songs and write songs that need to have images behind them that are of a specific time. The times we live in today - I mean, there's a lot to work with. But I think that if I was my age in 1975 or 1985, I would have felt the same way because that's what I gravitate toward.

You have to have a work ethic and you have to be educated in what you're doing. You have to take it seriously. It doesn't mean that everything you do has to be serious. But you've got to have the tools.

I do look at songwriting as a lot of work. I don't overintellectualize music as a special medium that only some people deserve to do. I think it's something you do if you put the work in.

My father said it himself in an interview many years ago: 'Husband and wife failed, but mother and father didn't.' I've got a life that really matters to me, and that's because of the way I was raised. My ethics are high because my parents did a great job.

There are certainly a lot of people - and I won't name names - who are getting by simply on expression. And I guess that's valuable in some sense. But songs are not better just because they're emotionally honest. To write a song well, you have to put some work into it and grind it out.