There's only one thing that's certainAnd that's everybody, everybody's hurting

I always saw songwriting as the top of the heap. No matter what else you were going to do creatively-and there were a lot of choices-writing songs was king.

My songs have always had hope and perseverance in them - I never write songs that have no escape hatch, no positivity.

I think that these are different times, and different things are available to artists, and certain things have become passé. You've already seen the outcome of a lot of things that seemed to have a lot of potential. We've already heard that, and I can't tell you if it made a difference or not. But we already know that artists can do that, and they shouldn't feel threatened by doing it. They're probably not going to change the world. They're going to change a few people's perspectives and maybe make somebody's day at times, if they can.

I see myself as a traditionalist. I like traditional things. I like things of substance and value that have been proven. Conceptually, as the songs started to come together, I followed that lead, which is the language I work in.

I don't want to sing songs and write songs that need to have images behind them that are of a specific time. The times we live in today - I mean, there's a lot to work with. But I think that if I was my age in 1975 or 1985, I would have felt the same way because that's what I gravitate toward.

The trouble, dollIs not moving mountains, butDigging the ground that you're on