My songs have always had hope and perseverance in them - I never write songs that have no escape hatch, no positivity.

My songs have always had hope and perseverance in them - I never write songs that have no escape hatch, no positivity.

You have to have a work ethic and you have to be educated in what you're doing. You have to take it seriously. It doesn't mean that everything you do has to be serious. But you've got to have the tools.

The songs I write should only be gauged by what other writers or peers are doing today. If the barometer for all songwriters was to match his body of work, then anyone you might mention alive or dead is a failure. But I've learned to not be too hung up on what's fair or not fair.

I see myself as a traditionalist. I like traditional things. I like things of substance and value that have been proven. Conceptually, as the songs started to come together, I followed that lead, which is the language I work in.

Folk music is not for a select group of people who feel that maybe he taught them about this music and that it belongs to them. It doesn't belong only to them. It belongs to everyone who's interested in the blueprints of good songwriting.

The trouble, dollIs not moving mountains, butDigging the ground that you're on