What I've kind of learned about comedy is that when comedy gets too expensive it might not be funny. Sometimes it's good to keep the conditions where you're pressed for time and it's just about getting the work done, as opposed to how much things are we eating on the set.

Sometimes, when you're not getting a whole lot of attention, you're actually walking the right path.

In L.A., the waiters think they're stars. Everybody's always trying to pretend that they see stars every day, so there tends to be a false blas' about celebrity sightings in L.A. In some ways, that's a good thing, because it allows you to walk around.

So, the advice that I would always give is make sure you've got your own career, before you put your child in the business.

Writing is still on my slate.

I don't need to play villains or anything like that to show people that I'm different. I just want to be a part of stories that hold up over time. Too much of this stuff is forgettable. When it comes to being an actor, I don't know how good I am but I always say this, I've never been the problem in the cast. I just want to keep that streak up and do more projects in the future, that's it.

The conventions of an almighty agency tapping you for greatness and signing you up and telling you this is going to be the next big thing; that has not been my career.