I didn't really understand racism because I grew up in an all-black society, so I didn't see how it was possible not to like me!

I was just looking at moving to Cambridge, and a house I was looking at cost a million dollars. Because somehow, that's what a house costs. And I was thinking, "How can it be?" And I was thinking, "What am I doing? Am I going to be Niall Ferguson, that horrible man?

I would be lost without the feeling of antagonism that people have towards me. I write out of defiance.

What frustrates me is to see African-Americans behave as though what European-Americans say is worthwhile. It simply isn't. It's just some silly people who can make laws and have the power to enforce them. I'm often amazed at the conversations black people have about themselves. They ought to be having these conversations about white people. It's white people who are flawed and at fault.

The resistance to my work, and to my way of writing, has been there from the beginning. The first things I wrote were these short short stories collected in At the Bottom of the River, and at least three of them are one sentence long. They were printed in The New Yorker, over the objections of many of the editors in the fiction department.

All of these declarations of what writing ought to be, which I had myself-though, thank God I had never committed them to paper-I think are nonsense. You write what you write, and then either it holds up or it doesn't hold up. There are no rules or particular sensibilities. I don't believe in that at all anymore.

Habit gives endurance, and fatigue is the best night cap.