What I don't write is as important as what I write.

If I describe a person's physical appearance in my writing, which I often do, especially in fiction, I never say someone is "black" or "white." I may describe the color of their skin - black eyes, beige skin, blue eyes, dark skin, etc. But I'm not talking about race.

The photograph of my brother that is in this album shows a young man, beautiful and perfect in the way of young people, for young people are always perfect and beautiful until they are not, until the moment they just are not.

I come from a little island with the Caribbean Sea on one side and the Atlantic Ocean on the other. I come from, really, nowhere, and for me, the fiction and the nonfiction, creative or otherwise, all come from the same place.

That the world I was in could be soft, lovely, and nourishing was more than I could bear, and so I stood there and wept, for I didn't want to love one more thing in my life, didn't want one more thing that could make my heart break into a million little pieces at my feet.

So much history, if you or I were to write it, could seem a fiction. These separations, these lines that tell us this is fiction or non-fiction, that this is history or this is a novel, are often useless.

People only say I’m angry because I’m black and I’m a woman.