If you just sit there, and you're a writer, you're bound to write crap. A lot of American writing is crap. And a lot of American writers are professionals.

Out of the corner of one eye, I could see my mother. Out of the corner of the other eye, I could see her shadow on the wall, cast there by the lamplight. It was a big and solid shadow, and it looked so much like my mother that I became frightened. For I could not be sure whether for the rest of my life I would be able to tell when it was really my mother and when it was really her shadow standing between me and the rest of the world.

The truth we have to face about the world we live in is that it's driven by profit, and contradictions and doubts are not profitable. They yield wisdom, but wisdom is not profitable. I find pleasure in doubt, but let's face it, my pleasure is not very profitable. To me, the truth is that things mean many things at once, and all of them opposed to each other, and all of them true.

I like cooking, but I think someone else ought to do the dishes.

I write a lot in my head. The revision goes on internally. It's not spontaneous and it doesn't have a schedule.

The sound of words in a novel is a pretty amazing thing, and I am concerned with the sound of every word I write.

The strange thing about my life is that I came to America at about the time when racial attitudes were changing. This was a big help to me. Also, the people who were most cruel to me when I first came to America were black Americans. They made absolute fun of the way I talked, the way I dressed. I couldn't dance. The people who were most kind and loving to me were white people. So what can one make of that? Perhaps it was a coincidence that all the people who found me strange were black and all the people who didn't were white.