The story of dance in the Western world is as much an alternative vision of the events of history as is the folk history told for generations by primal people.

Dance has been transformed from an involuntary motor discharge, a ceremonial rite, into a work of art, conscious of, intended for, observation.

Dance in this century has remained primarily a personal ritual operating, like most avant-garde art, as an idiosyncratic form rather than a tribal expression of religious powers or a corporate expression of societal values.

We've reached a point where we are not a very empathetic people, and art without empathy is art without an audience. My basic viewpoint is that without art we're alone.

At the root of all the varied manifestations of dancing, lies the common impulse to resort to movement to externalize emotional states which we cannot extemalize by rational means.

Some of the most popular discos in America and Europe were started as gay establishments, which began to open their doors to anyone who wanted to dance.

For Indians, images are a means of celebrating mystery and not a manner of explaining it