The story of dance in the Western world is as much an alternative vision of the events of history as is the folk history told for generations by primal people.

For Indians, images are a means of celebrating mystery and not a manner of explaining it

The nobility danced for the sake of social grace, to exhibit their finery...peasants danced to make themselves happy, to escape the routine of their life, and to meet their future wives and husbands.

We've reached a point where we are not a very empathetic people, and art without empathy is art without an audience. My basic viewpoint is that without art we're alone.

Dance has been transformed from an involuntary motor discharge, a ceremonial rite, into a work of art, conscious of, intended for, observation.

For the Indian,dance is a personal form of prayer. When the Eagle Dancer puts on his costume,when he begins to dance to the music,he doesn't simply perform it; he actually becomes the eagle itself. The dancer is virtually inseparable from the dance.

At the root of all the varied manifestations of dancing, lies the common impulse to resort to movement to externalize emotional states which we cannot extemalize by rational means.