I think that's what the war photography did for me. It showed me the human side of people and how certain circumstances can change people's lives.

I think what it was with the war photography was the concerned eye, the desire to document these situations to show the world the horrors of war. It inspired me to document prostitution; inspired me to document homelessness in America. We are the richest country in the world, yet we have people suffering, so it helped me to look at things in that manner.

When you look at my photos, just look into the eyes of my subjects. The eyes say so much.

The majority of the people I've taken photographs of, I've had conversations with. "What are your goals and aspirations?" "What are you about?" It's not just about me capturing the image; I want to know what you are about.

There was a time in my life that I may not have been that nice, and now I'm in a position to contribute to the education of young people, and teach them to be compassionate, be more loving, more caring, to not use profanity, to not pollute the environment - these are things that I address in my photography. I

I place myself in situations where a lot of people are going to be, and bring a particular body of work that reflects the people already there. You have to study your subject.

I'm shooting a gangbanger, but as a dignified man. That's pretty much what war photography did: seeing images of soldiers in a dignified way. They might have been killers in Vietnam, but I'm seeing another side of them, and looking at images of the the American soldiers, also the North Vietnamese and the Viet Cong - I never saw an enemy.