What passes for identity in America is a series of myths about one's heroic ancestors. It's astounding to me, for example, that so many people really seem to believe that the country was founded by a band of heroes who wanted to be free.

You've got to tell the world how to treat you. If the world tells you how you are going to be treated, you are in trouble.

I remember standing on a street corner with the black painter Beauford Delaney down in the Village, waiting for the light to change, and he pointed down and said, 'Look.' I looked and all I saw was water. And he said, 'Look again,' which I did, and I saw oil on the water and the city reflected in the puddle. It was a great revelation to me. I can't explain it. He taught me how to see, and how to trust what I saw. Painters have often taught writers how to see. And once you've had that experience, you see differently.

The male cannot bear very much humiliation; and he really cannot bear it, it obliterates him.

When you’re writing, you’re trying to find out something which you don’t know. The whole language of writing for me is finding out what you don’t want to know, what you don’t want to find out. But something forces you to anyway.

Passion is not friendly. It is arrogant, superbly contemptuous of all that is not itself, and, as they very definition of passion implies the impulse to freedom, it has a might intimidiating power. It contains a challenge. It contains an unspeakable hope.

Yr crown has been bought and paid for. All you have to do is put it on yr head