I think young people ought to seek that differential experience that is going to knock them off dead center. I was a typical American school boy. I happened to get straight A's and be pretty good in sports. But I had no great vision of what I could be. And I never had any yearning.

I do believe that everyone growing up faces differential opportunities. With me, it was books and travel and some good teachers.

The rules seem to be these: If you have written a successful novel, everyone invites you to write short stories. If you have written some good short stories, everyone wants you to write a novel. But nobody wants anything until you have already proved yourself by being published somewhere else.

I would suppose I learned how to write when I was very young indeed. When I read a child's book about the Trojan War and decided that the Greeks were really a bunch of frauds with their tricky horses and the terrible things they did, stealing one another's wives, and so on, so at that very early age, I re-wrote the ending of the Iliad so that the Trojans won. And boy, Achilles and Ajax got what they wanted, believe me. And thereafter, at frequent intervals, I would write something. It was really quite extraordinary. Never of very high merit, but the daringness of it was.

The job of a storyteller is to tell stories, and I have concentrated on that obligation.

It heartens me to think of Verdi who composed thundering operas in his eighties; Michelangelo who did fine work in his ninetieth year, and Titian, who painted better than ever in his one hundredth.

The dead are dead but they rely on us to fulfill their hopes.