We risk great peril if we kill off this spirit of adventure, for we cannot predict how and in what seemingly unrelated fields it will manifest itself. A nation that loses its forward thrust is in danger, and one of the most effective ways to retain that thrust is to keep exploring possibilities. The sense of exploration is intimately bound up with human resolve, and for a nation to believe that it is still committed to a forward motion is to ensure its continuance.

When this is over, I'm not going to be the same guy. I am going to live as if I were a great man.

You write that first draft really to see how it's going to come out.

I would suppose I learned how to write when I was very young indeed. When I read a child's book about the Trojan War and decided that the Greeks were really a bunch of frauds with their tricky horses and the terrible things they did, stealing one another's wives, and so on, so at that very early age, I re-wrote the ending of the Iliad so that the Trojans won. And boy, Achilles and Ajax got what they wanted, believe me. And thereafter, at frequent intervals, I would write something. It was really quite extraordinary. Never of very high merit, but the daringness of it was.

The really great writers are people like Emily Brontë who sit in a room and write out of their limited experience and unlimited imagination.

The job of a storyteller is to tell stories, and I have concentrated on that obligation.

I think young people ought to seek that differential experience that is going to knock them off dead center. I was a typical American school boy. I happened to get straight A's and be pretty good in sports. But I had no great vision of what I could be. And I never had any yearning.