I like pressure. Pressure is good.

The hats are tough. I've got a weird head, so believe me, there were a lot of hats. Penny [Rose], our costume designer, who I knew from other jobs said, "Badge, that looks terrible on you. Hold on. No, we can't do that one."

I don't know why I just remembered this, and I haven't told anybody this, but we were shooting in Canyon de Chelly and we were so far up the canyon. Once we were up there, we were up there. There was no going back to your trailers.

I've done a number of films that no one has ever seen, and that's probably a good thing.

As an audience member, I live vicariously through the characters I watch or read about. There's something very relatable about comic-book characters. They're never perfect. They're flawed people put in extraordinary circumstances.

Marvel is very secretive, so there was no script. About six months before production, they gave me some pages and it was from a cop movie. And then, six months later, I got a phone call saying, "Do you want to come do this?" [iron Man]

I've been trying to figure out what moment The Lone Ranger came into our lives. We've always just known about The Lone Ranger. It's common knowledge. I don't ever remember watching the television show.