I don't know why I just remembered this, and I haven't told anybody this, but we were shooting in Canyon de Chelly and we were so far up the canyon. Once we were up there, we were up there. There was no going back to your trailers.

I went through about 40 different hats until we found one that fit. It had to fit me and fit the character, more importantly, and whatever that thing was that we were trying to create with him.

My experience as a young actor on network television was that I couldn't make it work. I was drowning as an actor.

I grew up in a family of actors. I grew up onstage. The choice for me wasn't, 'Do I want to be an actor or not?' I always felt like that's just ingrained in you, the need to perform. The choice was, 'Do you want to do this professionally or not?

The hats are tough. I've got a weird head, so believe me, there were a lot of hats. Penny [Rose], our costume designer, who I knew from other jobs said, "Badge, that looks terrible on you. Hold on. No, we can't do that one."

I was really lucky that, through my 20s, I got to work with some amazing people, and I tried to sit back and watch and learn.

I've always thought that I'm kind of a cross between a young Bill Clinton and Lyle Lovett. And I just want to say I'm proud of that. Those are two good looking guys.