The problem is almost everybody is just recording the world with home photographic toys, not doing metaphor or ideas. We have a photographic culture that's not conditioned to think in terms of symbol.

You can't divorce civilization from nature - we totally depend on it.

Early in my career I discovered that there was something really special about photographing at night that places your mind on the surface of the planet. You’re no longer just a human being walking around in the regular world. You’re a human animal striding around on the surface of the planet that’s out in the middle of the galaxy. We as a culture, we’re forgetting that we are actually natural organisms and that we have this very deep connection and contact with nature. You can’t divorce civilization from nature. We totally depend on it.

I've been to the Himalayas a half a dozen times and I love it. I'm just kind of tired of going literally twelve time zones around the world. I would rather go six time zones and get to Iceland or whatever it is.

In some cases, I allow the edge of the set, the edge of my own artificial, artistic imposition, to show up because I don't want to hide from that. I want to acknowledge that there is a living human and a living eye and a living mind and a living heart responding to what's going on out there.

Ultimately, we have to ask ourselves an essential spiritual and ethical question: Are we the kind of people who take everything for ourselves and leave nothing for others, or do the angels of our better nature still live? I believe the angels are still alive.

I've always believed that photography is a way to shape human perception.