There's nothing terribly wrong with The November Man in a serviceable late-night cable TV sort of way but neither is there anything terribly right about it. It's unnecessary and derivative.

The term "godawful" should be used sparingly in connection with motion pictures. With Angels & Demons, however, it seems oddly appropriate. Not only does this prequel-turned-sequel to The Da Vinci Code make its predecessor seem like a masterwork of pacing and plotting, but it may represent a nadir for director Ron Howard and is probably the worst instance of acting from star Tom Hanks since back in the days when he was struggling out from under the shadow of Bosom Buddies.

[Director Christopher] Nolan has not only crafted the best Batman movie, but arguably the second-best motion picture superhero narrative (topped only by the linked duo of Superman and Superman II). For those who thought Spider-Man and X-Men had a lot to offer, wait till you see where this film goes. Batman Begins is a strong re-start to a franchise that deserves better than it has often been accorded.

It's rare that the sequel to a good movie lives up to expectations. Such is the case with Die Hard 2, the somewhat-muddled but still entertaining return of Bruce Willis' John McClane. Fortunately, the original Die Hard was good enough that there's room for the second installment to be enjoyable while still not matching the pace or possessing the flair of its predecessor.

I could start this review by stating that Dumb and Dumberer lives up to its name, or by calling it stupid, moronic, and idiotic, but I believe that approach is a trap, since a movie like this might relish being the object of such bland invectives. Instead, let me try a few that can't possibly be misconstrued as twisted praise: unfunny, boring, torturous, and unwatchable. ... [N]o movie could be more aptly compared to raw sewage than this film - Directed By Troy Miller.

A generic vampire tale in the Underworld vein that comes closer to the infamous Van Helsing than a memorable re-interpretation of a legendary monster.

Norbit operates on the principle that vulgarity is automatically funny. Crassness doesn't need a joke attached because it is (in and of itself) the height of hilarity.