A generic vampire tale in the Underworld vein that comes closer to the infamous Van Helsing than a memorable re-interpretation of a legendary monster.
James BerardinelliSeventeen years after its intial release, The Empire Strikes Back is still as thrilling and involving as ever. Because of the high quality of the original product, it doesn't show a hint of dating. Neither [Star Wars Episode IV: A New Hope nor Star Wars Episode VI: Return of the Jedi] were able to match the narrative scope of Empire, which today remains one of the finest and most rousing science fiction tales ever committed to the screen.
James BerardinelliBeing snarky and smug doesn't equate to providing insight, and there's more than one occasion when the filmmakers lose sight of this in their zeal to spread the Gospel According to Maher.
James BerardinelliThere's nothing terribly wrong with The November Man in a serviceable late-night cable TV sort of way but neither is there anything terribly right about it. It's unnecessary and derivative.
James BerardinelliThe Phantom Menace is not a masterpiece, but it's an example of how imagination, craftsmanship, and technological bravura can fashion superior entertainment out of something that is far from flawless.
James BerardinelliMichael made his debut in John Carpenter's 1978 horror classic, Halloween, possibly the best scare movie to come along in the last twenty-five years. With the release of the sixth (and hopefully final) movie to bear the Halloween moniker, we see how far the mighty have fallen. In the final analysis, The Curse of Michael Myers is a horrific motion picture just not in the way the film makers intended.
James Berardinelli